As I was aware i was doing work experience this week, during half term, I knew I would not be able to come into school to edit, therefore i spent a few hours on Thursday and Friday editing to make up for the time I could have spent editing this week.
On Thursday myself and Conor imported what we had recorded, however as this was a lot of footage it took almost the whole lesson, therefore I began to construct our documentary the lesson after as I didnt not have a lesson and Conor did.
I began by removing the dark bedroom shots and replacing them with the lighter ones which myself and Conor both thought were a lot better and brighter.
Starting from the beginning I then started to give our production more of a structure, by using the storyboard I starting constructing the production to make it clearer. I done this by using text where needed and adding some transitions.
I also editing the phone in, so it made sense and had alternate speakers, which I now feel looks and sounds very good. The phone in is being played over the CCTV shots which I also edited into the main sequence. However the phone in lasted quite a long time, therefore I had to make the duration of the CCTV visuals a bit longer to fulfil the audio side of it.
Overall I believe editing has started strong and I am looking forward to going back to school to see Conor's progress which im sure is substantial.
Wednesday, 27 October 2010
Tuesday, 26 October 2010
Sound
I believe sound is a very important part out our documentary, and it sets the mood and atmosphere and also gives a great impression of the genre which our documentary is linked too.
Myself and Conor looked on a few audio websites on friday and were not too impressed with the selections however we then came across www.audionetworkplc.com which I believe has a larger selection of audio tracks which is essentially what we wanted as we wanted the music to be just right.
However we did not find the tracks needed on friday, and as I am doing work experience this week I have put my trust in Conor to find music which is suitable for our production, then when I am back editing next week i can listen to the music and give my input, if we come to an agreement that it should be changed we can look at ways in which we could rectify the problem, however I am sure Conor has come up with some good audio.
Conor has told me that he has chosen four intsrumental pieces of audio; 'Menage' by Geoffrey Keezer, 'Lonely Planet' by Paul Mottram, 'Shadow Play' yet again by Paul Mottram and 'Quiet Lament' by Luke Richards. Before commenting on these pieces I will have to listen to them, and when i do i will make an update about how i feel about the sound.
Myself and Conor looked on a few audio websites on friday and were not too impressed with the selections however we then came across www.audionetworkplc.com which I believe has a larger selection of audio tracks which is essentially what we wanted as we wanted the music to be just right.
However we did not find the tracks needed on friday, and as I am doing work experience this week I have put my trust in Conor to find music which is suitable for our production, then when I am back editing next week i can listen to the music and give my input, if we come to an agreement that it should be changed we can look at ways in which we could rectify the problem, however I am sure Conor has come up with some good audio.
Conor has told me that he has chosen four intsrumental pieces of audio; 'Menage' by Geoffrey Keezer, 'Lonely Planet' by Paul Mottram, 'Shadow Play' yet again by Paul Mottram and 'Quiet Lament' by Luke Richards. Before commenting on these pieces I will have to listen to them, and when i do i will make an update about how i feel about the sound.
http://www.audionetworkplc.com/show-production-results.aspx?stype=4&keywords=menage - 'Menage' by Geoffrey Keezer
http://www.audionetworkplc.com/show-production-results.aspx?stype=4&keywords=lonely+planet- 'Lonely Planet' by Paul Mottram
http://www.audionetworkplc.com/show-production-results.aspx?stype=4&keywords=shadow+play- 'Shadow Play' by Paul Mottram
http://www.audionetworkplc.com/show-production-results.aspx?stype=4&keywords=quiet+lament- 'Quiet Lament' by Luke Richards
Conor has also informed me that he has paid a small amount of money for these pieces and have been purchased royalty free, i will also be paying him my share towards the costs of these audio tracks.Saturday, 23 October 2010
4th Day Filming : Wednesday 20th October
Earlier in the week myself and Conor decided that Wednesday would hopefully be our last filming day as we only had to film the night shots and i also had to film by police phone in.
Once i had woke up on wednesday morning, i recorded the police phone in, where my voice was used to say the parts of the police officer. As Matthew's mothers part of the phone in had already been sorted i then had to do the other part which did not take me long at all.
Myself and Conor also decided that we would film our night shots at night, although we were aware that we could film during the day to make things easier and could still make it look like night time by using certain settings on the camera. However we wanted to make it look as realistic as possible, therefore we opted for filming at night time.
Therefore on Wednesday night i met Conor in Ware, where we went to Jamie Branston's house, as we needed him to film the shots when he is in his car and giving his side of the story the night Matthew went missing.
We began by sitting in Jamie's car discussing what we wanted him to say when he was driving. Then we set off, and the first destination was a fairly quiet street near Jamie's house to film the shot Jamie driving down a road, seeing myself walking in the opposite direction, stopping and offering me a lift, in which i decline in a slightly rude way and continue to walk. We filmed this shot quite a few times as we couldnt get the balance right between, not showing my face too much as it was supposed to be a reconstruction of the night, therefore the person wouldnt actually be me. We also had to get myself declining the lift home, giving the impression that i am feeling sad and want to be alone, yet without being rude at the same time, which i failed to give in the first few times of filming. However after about nine attempts, we managed to get it right we feel, which pleased us a lot. We also feel we had about three different shots we could use to give us more options which also pleased us.
Our next aim was to film the shots where Jamie is driving along and giving a recollection of the night from his point of view. We filmed this down a fairly busy road, because we wanted to get shots of the road infront and other cars involved to give the shots more of an atmosphere. We found a road suitable a began to film. We informed Jamie before hand what we wanted him to say and the first couple of times he forgot what to say, which was expected and wasnt a major problem as he soon got it right and we filmed some successful shots with Jamie saying everything we wanted him too.
The only problem we came across when filming the shots in his car was the lighting. There was not enough light on some parts of the road therefore we used the light inside the car which revealed a blue line through the middle of the lens which we were not too happy about, therefore we do not have as much footage as we would have liked in the car, therefore we may think about filming a few shots again with other internal sources of light.
Once we had finished these shots we rounded off the night by filming our final shots which were the CCTV shots of myself the night Matthew went missing. We had two different locations for this, one was by some local shops near Conor's house and the other was in a car park by a pub in the centre of Ware Town. We felt that these shots were well framed and successful, and the lighting was very good, it gave the night time effect yet wasnt too dark where you cannot see anything. We will however we slowing the shots down to give it more of a CCTV effect instead of a normal shot. It wasnt too easy finding the locations for the CCTV shots, as we needed fairly open space and we also need to be fairly high up, however when we finally found the locations it wasn't too awkward to film from then on.
I do not feel we came across any major problems when shooting the CCTV shots except for one man was in the space where we wanted to film for about five minutes but then shortly left therefore filming comenced.
Overall i am happy with out filming on this day as we managed to get all of the shots we needed and from now on we can concentrate on post production and editing our production and also finding music to go with our documentary.
Once i had woke up on wednesday morning, i recorded the police phone in, where my voice was used to say the parts of the police officer. As Matthew's mothers part of the phone in had already been sorted i then had to do the other part which did not take me long at all.
Myself and Conor also decided that we would film our night shots at night, although we were aware that we could film during the day to make things easier and could still make it look like night time by using certain settings on the camera. However we wanted to make it look as realistic as possible, therefore we opted for filming at night time.
Therefore on Wednesday night i met Conor in Ware, where we went to Jamie Branston's house, as we needed him to film the shots when he is in his car and giving his side of the story the night Matthew went missing.
We began by sitting in Jamie's car discussing what we wanted him to say when he was driving. Then we set off, and the first destination was a fairly quiet street near Jamie's house to film the shot Jamie driving down a road, seeing myself walking in the opposite direction, stopping and offering me a lift, in which i decline in a slightly rude way and continue to walk. We filmed this shot quite a few times as we couldnt get the balance right between, not showing my face too much as it was supposed to be a reconstruction of the night, therefore the person wouldnt actually be me. We also had to get myself declining the lift home, giving the impression that i am feeling sad and want to be alone, yet without being rude at the same time, which i failed to give in the first few times of filming. However after about nine attempts, we managed to get it right we feel, which pleased us a lot. We also feel we had about three different shots we could use to give us more options which also pleased us.
Our next aim was to film the shots where Jamie is driving along and giving a recollection of the night from his point of view. We filmed this down a fairly busy road, because we wanted to get shots of the road infront and other cars involved to give the shots more of an atmosphere. We found a road suitable a began to film. We informed Jamie before hand what we wanted him to say and the first couple of times he forgot what to say, which was expected and wasnt a major problem as he soon got it right and we filmed some successful shots with Jamie saying everything we wanted him too.
The only problem we came across when filming the shots in his car was the lighting. There was not enough light on some parts of the road therefore we used the light inside the car which revealed a blue line through the middle of the lens which we were not too happy about, therefore we do not have as much footage as we would have liked in the car, therefore we may think about filming a few shots again with other internal sources of light.
Once we had finished these shots we rounded off the night by filming our final shots which were the CCTV shots of myself the night Matthew went missing. We had two different locations for this, one was by some local shops near Conor's house and the other was in a car park by a pub in the centre of Ware Town. We felt that these shots were well framed and successful, and the lighting was very good, it gave the night time effect yet wasnt too dark where you cannot see anything. We will however we slowing the shots down to give it more of a CCTV effect instead of a normal shot. It wasnt too easy finding the locations for the CCTV shots, as we needed fairly open space and we also need to be fairly high up, however when we finally found the locations it wasn't too awkward to film from then on.
I do not feel we came across any major problems when shooting the CCTV shots except for one man was in the space where we wanted to film for about five minutes but then shortly left therefore filming comenced.
Overall i am happy with out filming on this day as we managed to get all of the shots we needed and from now on we can concentrate on post production and editing our production and also finding music to go with our documentary.
Monday, 18 October 2010
Update: 18th October 2010
Today myself and Conor had a discussion about our plan for this week and we decided that;
-I will take the camera home tomorrow and film some more bedroom shots as the ones which had been filmed are slightly dark so i will try to use different light techniques.
-I will also record the audio of the police side of the phone in, this is all scripted therefore it shouldnt take too long, and should be fairly straight forward. However i will record this a few times to give us more options.
-We will try and get the rest out our shots filmed on wednesday night, which includes the CCTV shots, and the shots in Jamie Branston's car.
We then will hopefully have all of our material to edit more and then have a rough cut for 1st November 2010.
-I will take the camera home tomorrow and film some more bedroom shots as the ones which had been filmed are slightly dark so i will try to use different light techniques.
-I will also record the audio of the police side of the phone in, this is all scripted therefore it shouldnt take too long, and should be fairly straight forward. However i will record this a few times to give us more options.
-We will try and get the rest out our shots filmed on wednesday night, which includes the CCTV shots, and the shots in Jamie Branston's car.
We then will hopefully have all of our material to edit more and then have a rough cut for 1st November 2010.
Thursday, 14 October 2010
3rd Day Filming : Wednesday 13th October
Location: Ware and Hertford
Date- Wednesday 13th October 2010
Camera Type- Canon Mini DV MD235
Tape Type- Panasonic Mini DV, 60 SP Mode, 90 LP Mode
Time Spent Filming- 3 hours
Yesterday's filming did not go completely to plan as we hoped to get the shots in Jamie Branston's car, however he was busy all day therefore we couldnt film these certain shots. Therefore instead myself and Conor made the most of our free time to film the day time scenes which we needed, which included the establishing shots of hertford/ware, and some interesting shots of the area too. We also managed to shoot the shots which involved the missing person posters which was created.
I arrived in Ware to meet Conor at about 12pm and we drove to Hertford immediately to film. We began by shooting an establishing shot of Matthew's house, however myself and Conor's house's are not good house's to use therefore we used the property of other people.
We then headed down by the Hertford canal to film the area as we wanted to film some natural shots. We considered ourselves to be quite lucky as there was not a lot of noise in the background so the natural noise may work well in our documentary. We also decided to film shots of the boats down the canal and the different aspects of the boats, such as the reflection in the water and different shot types. Whilst we were filming we agreed it would be beneficial to get as many shots as we could therefore we also framed some of the same shots but at different times therefore some had people in the background and some did not, this will give us more options when we are in post-production.
After filming in Hertford we decided to film in Ware. We went to the Cowfields which overlooks some of Ware, therefore we managed to get an establishing shot there. With this in mind we also managed to test out the different settings on the camera therefore with one shot we blurred it and then re-focused it, which we felt was a very well filmed shot.
We then decided to use the rest of our time filming interesting shots which included the missing person posters, this ranged from shots on lamp posts, on cars, and even scrunched up on the floor. I felt we managed to frame some of these shots very well which i was extremely pleased about.
Overall i believe this was our most successful day of filming, we managed to get many shots done and most of these shots we felt were framed well and were interesting.
Date- Wednesday 13th October 2010
Camera Type- Canon Mini DV MD235
Tape Type- Panasonic Mini DV, 60 SP Mode, 90 LP Mode
Time Spent Filming- 3 hours
Yesterday's filming did not go completely to plan as we hoped to get the shots in Jamie Branston's car, however he was busy all day therefore we couldnt film these certain shots. Therefore instead myself and Conor made the most of our free time to film the day time scenes which we needed, which included the establishing shots of hertford/ware, and some interesting shots of the area too. We also managed to shoot the shots which involved the missing person posters which was created.
I arrived in Ware to meet Conor at about 12pm and we drove to Hertford immediately to film. We began by shooting an establishing shot of Matthew's house, however myself and Conor's house's are not good house's to use therefore we used the property of other people.
We then headed down by the Hertford canal to film the area as we wanted to film some natural shots. We considered ourselves to be quite lucky as there was not a lot of noise in the background so the natural noise may work well in our documentary. We also decided to film shots of the boats down the canal and the different aspects of the boats, such as the reflection in the water and different shot types. Whilst we were filming we agreed it would be beneficial to get as many shots as we could therefore we also framed some of the same shots but at different times therefore some had people in the background and some did not, this will give us more options when we are in post-production.
After filming in Hertford we decided to film in Ware. We went to the Cowfields which overlooks some of Ware, therefore we managed to get an establishing shot there. With this in mind we also managed to test out the different settings on the camera therefore with one shot we blurred it and then re-focused it, which we felt was a very well filmed shot.
We then decided to use the rest of our time filming interesting shots which included the missing person posters, this ranged from shots on lamp posts, on cars, and even scrunched up on the floor. I felt we managed to frame some of these shots very well which i was extremely pleased about.
Overall i believe this was our most successful day of filming, we managed to get many shots done and most of these shots we felt were framed well and were interesting.
CCTV influence
Without paying attention to the genre of this video, i believe this is the height and angle which we need to have our camera when attempting to film our own CCTV shots. I believe the height is good as it is not too far away from the subject and not too high, which would be too high to see Matthew yet i believe it is not too close to the subject which is vital as CCTV camera's are not normally in your face, they keep their distance.
I also feel this is a good example as our CCTV shots will also be at night time, therefore this gives an example of how the lighting should look.
Update
On Monday, Conor took home the camera with the microphone to record his narration. Therefore as i met him the following day, he showed me what he had recorded and overall i was happy with his efforts. He filmed his narration a few times therefore we have more to choose from when adding this to our main production. We decided Conor should do the narration as he speaks well and has a clear voice which is what we wanted.
Typography
Myself and Conor thought it would be appropriate to look at the different types writing we could use when the title of our documentary is revealed.
We both liked this font quite a bit, which was mainly down to the uneven letters, which we felt were positioned well. However in the end we chose not to use this font.
Myself and Conor liked this font too as the typewriter effect was what we were hoping to use if the right font was found. We also thought it would be more interesting thn many other fonts which is the type of effect we want to people to see. There was however a limitation to this font as we felt it was hard to read and has a distorted look to it.
We liked this font as it was clear, easy to read, yet it isnt too plain and simple. However we did feel it was too bold which was not the impression we wanted to give.
We chose to use this font which is called 'King' and was from the website www.dafont.com. We chose this one as it is not too bold, it is a nice clear font however it also has a slight typewriter effect which we liked earlier. Therefore we feel this will be the best font to use.
We both liked this font quite a bit, which was mainly down to the uneven letters, which we felt were positioned well. However in the end we chose not to use this font.
Myself and Conor liked this font too as the typewriter effect was what we were hoping to use if the right font was found. We also thought it would be more interesting thn many other fonts which is the type of effect we want to people to see. There was however a limitation to this font as we felt it was hard to read and has a distorted look to it.
We liked this font as it was clear, easy to read, yet it isnt too plain and simple. However we did feel it was too bold which was not the impression we wanted to give.
We chose to use this font which is called 'King' and was from the website www.dafont.com. We chose this one as it is not too bold, it is a nice clear font however it also has a slight typewriter effect which we liked earlier. Therefore we feel this will be the best font to use.
Monday, 11 October 2010
Poster idea for missing person
After myself and Conor watched the Claudia Lawrence documentary (which also has the genre of a missing person) we thought it would be good to include a missing person poster into our production which could also increase the variety of shots we could use. In this documentary the posters are situated in shops windows which we felt was a good idea therefore we hope to incorporate this into our documentary too. The link to the Claudia Lawrence documentary is below. http://www.channel4.com/programmes/missing-claudia-lawrence/video/series-1/episode-1/where-are-you
This is the poster which will be printed off in numerous numbers so we can put them around places such as in shop windows and on lamp posts to enhance our selection of camera shots. The idea of the layout of the posters came from Claudia Lawrence's one. Yet again we used an idea from that documentary as we feel it ws well structured.
Below is the poster of Claudia Lawrence, which was used as a template for ours when it was created, the colours are similar and the structure is also presented in a similar way.
This is the poster which will be printed off in numerous numbers so we can put them around places such as in shop windows and on lamp posts to enhance our selection of camera shots. The idea of the layout of the posters came from Claudia Lawrence's one. Yet again we used an idea from that documentary as we feel it ws well structured.
Below is the poster of Claudia Lawrence, which was used as a template for ours when it was created, the colours are similar and the structure is also presented in a similar way.
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